
Travis just seems to have an obsession with the boobies, doesn’t he? Well, what can you expect from a 14 year old? His hormones are always on overdrive!
And in Panel Three, Noel is reading “Running Dead.” Zombies would be a lot more dangerous if they had higher than a 4 Agility, wouldn’t they?

Everyone be sure to welcome Stan back from his baby hiatus! Hopefully he will bless us with a few pictures of the little rugrat shortly!
In the meantime, enjoy this eight-part storyline featuring the Abbot and Costello of this strip, Travis and Skip!
And as an aside, today is International Geek Pride Day, which coincides with when Star Wars was released in 1977. What a perfect day, if I do say so myself, to embrace your inner geek and admit that you are one of them!
I realize this isn’t something that is indigenous just to the comic book industry, but I find it interesting how much people EXPECT comic discounts nowadays. It’s to the point now where suggested resale prices are pretty pointless, and to go back to comics, putting a cover price on the book is almost silly at this point. Why not just have retailers look at their unit cost and decide what to charge on their own? You don’t see prices on video games any more, or on lots of other items that might be in competition with comic books.
It seems like comic stores can no longer survive without discounting their product deeply. I know there are exceptions to this, but the competition via the internet, through large book chains, and on eBay is so fierce that charging retail for new items is suicide. The regular book market is in a similar pickle. When a brick and mortar store has to give 20% or 30% off of their new comics, it just cuts into their bottom line, and they have to sell even more books to make ends meet–and the overhead on brick and mortars is significant.
For simplicity’s sake, let’s say the average book costs $3. That means stores are paying roughly $1.50 for that title. Discounting books 20% means that they sell said book for $2.40, meaning 90 cents profit per book. And that profit has to pay employees, advertising, telephone, lighting, and a number of other overhead-related expenses. And as the direct market has shrunk over the last decade, pennies are pinched that much more. As such, retailers end up cutting corners in a few potential directions:
1. Cut overhead.: This means laying off an employee, cleaning the store less, less advertising, fewer in-store events, worse customer service, or something similar, which hurts opportunity for future business.
2. Ordering less product:: This means fewer shelf copies, not taking chances on books from smaller publishers, and maybe eliminating some lines altogether, which puts a cap on the amount of money that can be made at a store.
3. Cutting store discounts: As we’ve seen on this board (and elsewhere) innumerable times, Screaming Mimis come out of the woodwork when their LCS does this, vying to go to DCBS or to the competition.
None of these choices is terribly good for long-term growth, and some stores do all three in spades. Frankly, I don’t know how most LCSs survive any more, and a lot of them don’t.
So what does this mean in the long run? In my opinion, more small stores are going to close, and we are going to be left with a few hundred shops, many of which are part of a chain (Lone Star, for example) or who have a significant mail order presence (which cuts some overhead). There will be a few exceptions to this, of course, but there undoubtedly will be mitigating circumstances tied thereto that make those cases unique. Maybe a store has a monopoly on the market, or meet a particular niche that people want/like (Isotope, for example). Are these good things in the evolution of the industry? I don’t know, really–I’ll leave that answer to those who are more qualified than me.
How did it start? Stores offered discounts to attract customers. Competition (which existed in the 90s when a lot of this started) met those discounts, resulting in bidding wars, so to speak. This has spiraled out of control to the point where stores and publishers are scrambling to find that next gimmick that will result in a short-term spike in sales, without realizing that things get hurt in the long run. I really fear for the market as it exists currently, and some serious adjustments are going to have to be made, and quickly, if the industry is going to survive in its existing form. That evolution might be a good thing, mind you, but I don’t have a lot of confidence in the forward-thinking of many retailers for reasons that already have been mentioned in this thread.
If you think about it logically and rationally, stores should charge MORE for providing a pull system. Hundreds, if not thousands of dollars worth of inventory sit behind a counter waiting for a customer who might show up every other week, once a month, or what have you. Many also provide free backs and boards for books also. But dammit, we want pull lists, and heavily discounted ones at that.
Before everyone starts hurling rotten fruit at me, there are a lot of stores that are doing things well, and my opinion is just that–the opinion of one person. But I’m old enough to remember when getting discounts was no big deal–just having a specialty store that sold comics was enough for me to happily pay retail for the accessibility and not blink. The spiraling cost of comics has altered this thinking for me, just like it has most of you here, and I buy my books through an online dealer as a result of this, among other things (see below).
Also, for full disclosure, I live in an area where there is no LCS within 45 minutes or so, so I do not know what discount structures are like at many stores nowadays, but I would be curious to know about discount structures at the comic stores that you all shop at. In fact, I am going to start another thread to learn a little bit about this.
Still having trouble with the hacker/spammer. The password change didn’t help. At this point, I am open to suggestions, given that my internet skills probably aren’t nearly as developed as a lot of yours. This is becoming very frustrating for me.
I know a lot of you are probably asking at what point are things finally going to go horribly wrong. Well, you’ll just have to wait and see!
Christmas comes early (or late, depending on how you look at it) at Kingdom Comix. The question, of course, is what on earth is going to be in that box.
Tune in next bat time, next bat channel!
This is meant to be a pseudo-homage to Goldfinger, where near the end of the film, when James Bond is ready to head home, that Felix Leiter stocks his plane with “liquor for three” when Bond, in fact, was to be the only passenger. I guess that is how Bart rolls with Chinese food.
We’ll be making some special announcements, cool offers, and fun contests to go along with the soon-to-be-release of our first webstrip collection soon. I hope you all will consider ordering one.
I think Stan did a great job on this strip–Noel’s facial expressions are priceless.
A few people have asked me if I have gotten any of my own comics slabbed. The answer is “yes”, although only about 10 books. I sent a scattering of a few Bronze Age books that I had and thought were in good condition just to get an idea of how they would grade out. The highlight of the lot was an Uncanny X-Men 95, which came back a 9.4.
Things continue to move forward on this storyline, with really no end in sight. It’s going to continue to, at the very least, Strip 236 (with a four-part WarWorld Online Intermission stuck in there). I hope you all are enjoying this one.
On an unrelated note, I turn 40 on Sunday. I’m not sure how happy I am about the whole situation, but it’s not like I have a choice in the matter. Fortunately, my friends and family have sent me loads of encouraging words, so all is well in the world.





















